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THE BLUE BIRD was Twentieth Century-Fox’s acknowledge to MGM’s THE WIZARD OF OZ. Shirley Temple was originally mentioned for the role of Dorothy in OZ, though Fox was leary about releasing her from her contract.
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Based on the play by Maurice Maeterlinck, the yarn recounts one dim and exasperated small girl, Mytyl (Shirley Temple) who journeys with her brother Tyltyl (Johnny Russell) to derive the ‘bluebird of happiness’. Joining the children on the quest are the children’s pets – cat Tylette (Gale Sondergaard) and dog Tylo (Eddie Collins) who have been magically changed to human-form.
Just like in OZ, the film changes from drab black-and-white to dazzling and rich Technicolor, though OZ is of course the safe of the two. Shirley Temple is given more of a dramatic range to work with here, playing a cramped girl with rougher edges and thus more ‘real’ than her previous film roles.
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Gale Sondergaard is deliciously-devious as the children’s cat, and Spring Byington is perfect as Mummy Tyl. Sybil Jason who co-starred with Temple the previous year in THE Runt PRINCESS, plays Mytyl’s afflicted friend Angela.
Attacked by critics and a failure at the Box Office at the time of it’s release in 1940 “The Blue Bird” has with time been redeemed and is now quite rightly viewed as a classic film of it’s time containing one of Shirley Temple’s most inviting performances. The public and well-known indifference to the film at the time of its release had alot to do with the fact that Hollywood’s formerly adorable moppet and sweetheart of the depression years was now playing a selfish young girl who is only reformed advance the conclusion of the record and also because film’s less upbeat memoir suffered when inevitably compared with “The Wizard of Oz” released unprejudiced the year before. I truly esteem this film with its strong message of appreciating what we actually have in our lives as opposed to always thinking other things are better. Shirley Temple I enjoy, has never been better than in this slightly older more serious role made unprejudiced as she was unfortunately slipping from being Hollywood’s number one attraction at the Box Office. This film’s failure, combined with Shirley’s declining popularity finally broke the long string of successes Twentieth Century Fox had enjoyed through the 1930′s with Shirley Temple films and after one more unsuccesful release with “Young People”, also in 1940 the reign of Shirley Temple as the Box Office Queen of Hollywood was definately over forever.
Certainly the “The Blue Bird” lacks the stout songs and note bizzy appeal …but its theme is a distinguished more serious one with indeed many morbid qualities to it. I contain the two should be viewed as totally separate. …The whole production is a heavenly feast for the eyes. The sumptous sets, fine color and the costumnes fabricate this film a peruse for the eyes. Never has there been a more lavish Shirley Temple film. The graveyard scenes are very eerie and very well done and when Temple along with her younger brother played by child actor Johnny Russell visit the land of luxury the sets are unbelievably fine . Nigel Bruce and Laure Hope Crews lend their distinguished talents to the scenes in the land of luzury and Gale Sondergaard makes a deliciously imperfect Cat.The film, despite the two young children starting off as selfish individuals, has many touching moments in particular when they visit their long tedious huge parents. It is a very pleasing scene which stresses the importance of family ties even after death and it never fails to depart me.The special effects in the film of the titanic forest fire, people being turned into animals etc are top notch and give “The Blue Bird” a magical quality that can be enjoyed by all.I deem it is a film that should be in all lovers of family films collections. …I deem you will adore “The Blue Bird” even if you aren’t a fan of Shirley Temple but unbiased admire lavish well made classics from Hollwood’s golden age when such things were done so well and with so distinguished care.
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